Mr Skeffington (Vincent Sherman 1944)

mr-skeffington-movie-poster-1944-1020418969and so anyway it turns out the best thing about Mr Skeffingon (1944) is not tittering at the name of the conceited beauty and all-round awful Fanny (Bette Davis), but the sequence right at the end, after she has been brought low (through ageing, a medically dubious bout of dyptheria and some grotesque Perc Westmore makeup) and to the point of accepting the truth of her estranged husband’s words (‘a woman is beautiful when she’s loved, and only then’) just as he, Job (Claude Rains), returns from a Nazi concentration camp – a worn out broken man – and they are able to reunite because he stills loves her and, more importantly, as him tripping over a footstool reveals, he is now blind and cannot see that she is no longer beautiful and so she does not have to learn any kind of moral lesson whatsoever…

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Carrie (Kimberly Peirce 2013)

Carrie_Domestic_One-sheetand so anyway it turns out the best thing about Carrie (2013) is the moment when you remember that back in 1988 the Royal Shakespeare Company decided it would be a good idea to blow the best part of $10 million on a flop Broadway musical version, but it turns out the very worst thing about it comes a moment later when you realise you would much rather be in the stalls, singing along and soaked in pig’s blood…

Chaos (Tony Giglio 2005)

chaos2005posterand so anyway it turns out that the best thing about Chaos is the moment when Jason Statham takes it upon himself to use a word incorrectly in order not merely to correct the grammar of a woman he is questioning but also to demonstrate how annoying such unforced errors are by pointing out that ‘a double negative infers a positive’…