Trespass (Joel Schumacher 2011)

and so anyway it turns out that the best thing about Trespass (2011) is neither Nicolas Cage’s reliably amusing hair nor the film’s surprising, if unsurprisingly ham-fisted, commentary on the intertwined illusory nature of finance capital, masculinity and sexual/commodity desire, but that moment when you realise that Nic and his equally insufferable family have been taken hostage by a violent gang of inept home invaders cum jewel thieves led by that bloke who used to be in Neighbours…