David Gaffney, Out of the Dark (2022)

Thanks to a mutual friend (also called David), David Gaffney sent me a copy of his new novel about a traumatised man obsessed with an obscure British film noir.

Set primarily in the Midlands of the 1980s, Out of the Dark falls somewhere in the terrain triangulated by Mike Hodges’s Get Carter (1971), Chris Petit’s Radio On (1979) and Andrea Arnold’s Red Road (2006).

It is also under the influence of JG Ballard. But its motorways are not London’s near-future-but-never-happened orbitals, nor are its high-rises desublimating enclaves of bourgeois acquisitiveness and hierarchical obsession. Rather, it all takes place in actually-existing concrete landscapes of marginalisation, disconnection and dereliction –  ‘neither in Walsall nor West Bromwich’ and thus ‘equally inconvenient’ in all directions. And it is rather more grungily quotidian and irreal-adjacent than anything in Ballard – closer, perhaps, to M. John Harrison or Ramsey Campbell.

And while the story it tells is full of twists and turns, genre-playfulness and sharp observations – as is the story within the story – what I loved most about Out of the Dark is something much more personal. I was born in Staffordshire, in a small-now-swallowed-in-the-conurbation Staffordshire village, but all my family were from Birmingham, from the Perry Barr/Perry Beeches parts of Great Barr, with outliers in Handsworth and West Bromwich; and behind my paternal grandparents mid-terrace two-up/two-down (with an outside loo), on the far side of the allotments onto which the garden backed, was an aerial stretch of the M6. And although we moved down to Devon when I was four years old, there is something ineffable about the litany of place names threaded through the novel: in chapter five alone, Perry Barr, Great Barr, Sarehole Mill, Kings Heath, Cotteridge, the impossibly distant Worcester, Bourneville, Harborne, Dudley Road, Perry Barr Island, Aston Lane, Swan Island, Billesley, Walsall…

And if this is nostalgia, it is not inappropriate for a novel enamoured of noir – especially when, for me, it is so oneiric and bittersweet.

You’ll never guess what arrived in the post today

sk1You probably think getting hold of an old omnibus of Edmond Hamilton’s Star Kings books is not much of an accomplishment. Nothing to boast about.

But you are wrong.

Here, in full, is the epic story of an improbable quest. All it lacks are those certain elements you need to market a film successfully: suspense, laughter, violence, hope, heart, nudity, sex, happy endings, especially happy endings.

Call me Bibliophile. Some months ago –  never mind how long precisely – having little or no money in my purse, and nothing particular to interest me on shore, I thought I would order a copy of Edmond Hamilton’s Chronicles of the Star Kings. Reading old space operas is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off – then, I account it high time to get me some Hamilton or Williamson or early Simak, some Brackett, perhaps, or some Moore, even some Dickson or early Brunner, as soon as I can.

Why Chronicles of the Star Kings? I was working on something tangentially related so it seemed an ideal opportunity to pick up the cheapest copy I could find of this omnibus volume that I repeatedly looked at on the shelf but never bought back in my teens (I was having too much fun devouring all the Philip E. High published in the same series). So I checked amazon marketplace sellers and abebooks. Amazon was way cheaper so I ordered a copy. Little did I suspect I  was merely ordering my first copy.

The parcel arrived on 11 September. My eager little hands tore it open and found inside:
sk2Now, I have nothing against East End Sagas, whether gripping – as it claims – or not. But it was not what I wanted. So I set the returns process in motion and requested they replace it with the book I ordered. They acted with unexpected promptness, dispatching a replacement the same day. Of course, instead of replacing it with a copy of Chronicles of the Star Kings, they replaced it with a copy of Carol Rivers’s gripping East End saga Lizzie of Langley Street.

So I set the returns process in motion again, advised them of the glitch in their inventory system, requested a refund and checked for the next cheapest copy. Which again was from amazon. I ordered it, and waited.

And waited; and waited.

Then a week or so later got an email telling me it had been damaged in the post and returned to the seller. They could not provide me with another copy so gave me a refund.

I checked for the next cheapest copy. Which again was from amazon. And this time was next day delivery. I ordered it, and waited.

But nothing happened.

I left it an extra day but still nothing happened.

I checked the online tracking. Apparently it had been delivered.

Only it hadn’t.

A trip to the local sorting office ensued. The guy there explained that he could not search for the parcel without the notification card I had been left by the postman. Only I hadn’t been left a notification card, which is so unlike Colin, my lovely postman, that I knew something was rotten in the state of Denmark. (Rottenness! thy name is Barry, the lazy substitute postman! But I’m getting ahead of myself.) The best the guy could offer to do was organise a redelivery, and hope that would magic my parcel into being.

The mention of Colin’s name, however, prompted the woman behind the desk to leap into action. Colin would not make that kind of mistake. She asked if I had the tracking number – I did – and after a couple of minutes on the computer was able to confirm that indeed my parcel was lost in some peculiar back-eddy of the postal system. She went to check out back to see if the parcel was there – it wasn’t, but even if it had been, she wouldn’t have been able to hand it over since I did not have a notification card. “I’ll have a word with Colin when he gets in,” she said. “He’ll know what happened.”

A brief aside on Colin. He has been my postman since I moved here fifteen years ago, and somehow he has survived the deliberate sabotaging of the post office by successive governments – running down its services, forcing them to deliver mail below cost for the private carriers competing with them for business, prioritising business deliveries over private mail, etc, etc –  as they sought to privatise it, which they eventually achieved a few years ago, since when £500,000 per day has been paid out in dividends to hedge funds and city shareholders. Somehow, through all this, Colin has retained a sense of the role of the postman in the community, as part of the glue that holds a place and its people together. We are not just streets and doors and letterboxes to him. In this, he reminds me of my milkman grandad. Unlike lazy Barry.

Later that morning, Colin knocks on my door.

“Oh,” he says, ‘it was Wednesday. Barry did the route on Wednesday. He’s dead lazy. If it’s not at the sorting office, he’s left it with a neighbour. Won’t be any more than two houses away. I’ve got a couple of packages, so I’ll ask at those houses. If I have no luck, I’ll catch up with him later, and come back after my shift to tell you what he did with it.”

That’s Colin for you.

No way he needs to come back after his shift; he can let me know tomorrow. In the meantime, once I’ve finished my coffee, I’ll knock on some neighbours’ doors.

Colin was right. It was with a neighbour two doors down. I sought out Colin to let him know. Went home. Poured another cup of coffee and opened my parcel. To find within it a copy of:

sk2

So the glitch in the inventory was definitely an amazon problem, not an individual seller’s problem. I begin the returns process, ask for a refund, and this time inform amazon rather than merely the seller of the problem. And by good fortune, a couple of cheaper copies of Chronicles of the Star Kings have appeared on abebooks, so I order one.

And nothing happens.

Except the last amazon marketplace seller tells me to not bother returning Carol Rivers’s gripping East End saga Lizzie of Langley Street – and in addition to refunding me, they will try to locate a copy of Chronicles of the Star Kings in their warehouse for me, free of charge, for all the comical inconvenience to which I have been put. So for a moment there it looks like I might end up with three books in total, rather than the single one I first ordered back in the mists of time, around the dawn of man.

But phew! they can’t find a copy.

But I don’t fucking believe this! my parcel containing – at last, I hope – Chronicles of the Star Kings has been damaged in the post and returned to the abebooks seller, who arrange a refund as they do not have a replacement copy in stock.

Back to abebooks. A sixth attempt to buy this fucking book.

And today this arrives:

sk1The only problem is, I no longer have any fucking clue what I wanted it for in the first place.

So, no, despite appearances, not even a happy ending.