and so anyway it turns out that the best thing about Uncertainty (2009) is, as you would expect from the writers/directors of Suture (1993) and The Deep End (2002), its bold experimentalism – not so much with the narrative structure that attempts to construct the perfect date movie by intertwining two different versions of the same day depending on whether the protagonists decide to go to Brooklyn or Manhahattan and, respectively, into a family melodrama or a conspiracy thriller, while also confirming to each gendered-genre viewer that the other gendered-genre viewer’s preference is lame, but with the valiant – and entirely successful attempt – to outdo Stephen Sommers’ similar effort in G.I. Joe: The Rise of Cobra (2009) to make a film so meh that not even the presence of Joseph Gordon-Levitt (doubled!) can save it…