RoboCop (José Padilha 2014)

and so anyway it turns out the best thing about RoboCop (2014) is not its astonishing commitment to the lipogrammatic principles of the Oulipo group, going far beyond Georges Perec, for example, who wrote the 300-page novel La Disparition (1969) without using the letter ‘e’, in order to gather together the few surviving remains of a franchise blown apart by lame film sequels, not to mention insipid live-action and animated television incarnations, and from them to build a whole new 117-minute film without using the letters ‘wit’, ‘intelligence’ or ‘decent action choreography’; no, the very best thing is that in the tagline at the top of the poster, very first word, they spelt ‘cinema’ wrong…