The BBC asked a bunch of US critics, what is the greatest novel of the millennium so far? Such an obviously completely bullshit question, you can imagine my eagerness to see the results. I was really looking forward to the pleasure of being outraged and/or bemused by their idiocy and poor taste. That’s the kind of thing that gets me through the day.
What can I say? I was robbed.
Junot Díaz’s The Brief Wondrous Life of Oscar Wao topped the poll. And, leaving aside for one moment the obvious and complete bullshitness of the question, I had no problem with that. I like the novel an awful lot. And Junot very generously blurbed the Africa SF collection and contributed an extraordinary long interview to the SF Now collection, extracted here, so I’m very happy for him personally. But none of that helps when I’m jonesing for affront.
The situation was redeemed a little by one of the judges comparing Oscar Wao to Philip Roth’s Portnoy and John Updike’s Rabbit. What the fuck? At last some provocation! Such pedestrian taste! How benevolent of white literary culture to elevate Díaz to such company! The unsavoury reek of appropriation, not only of Dominican/Latino culture, but of geekdom, too! Who dared to say such a thing?
I clicked on the link, and was once more robbed. The journalist is paraphrasing Greg Barrios’ interview with Díaz in the Los Angeles Review of Books, in which the comparison – which also mentions James T Farrell’s Studs Lonigan – is really just an attempt to explain the structure of the series of Oscar Wao stories Díaz once contemplated writing.
Maybe the other 19 titles in the poll’s top twenty would offer some enormity, some better shots at genuine WTF moments.
Of the other books, I have read only three.
Michael Chabon’s The Amazing Adventures of Kavalier & Clay (number 6) has been sitting on the shelf for years. I finally overcame the potential embarrassment of being seen not to have read it yet, and got through it in one long sitting on two trains and two planes (serially, not simultaneously) en route to the US. A thoroughly enjoyable romp, full of geek-stroking moments, and I get why people like it so much. But all the way through I was troubled by how comfortable it was. How comforting to imagine twentieth-century American history so utterly free from any anti-Semitism whatsoever. It just seemed dishonest. Good, but a long way short of great. On the whole, I probably rate Jonathan Lethem’s vaguely comparable Fortress of Solitude more highly. (By coincidence, my partner, sat next to me on one of the trains and both of the planes, read Hilary Mantell’s Wolf Hall (number 3), and had a kind of mehhh response. Neither book made the return journey.)
A professional obligation recently required me to read Zadie Smith’s NW (number 18). It took me completely by surprise. A genuinely compelling page-turner, if ultimately also just a bit too comfortable in its rather bourgeois worldview. I promptly bought White Teeth (number 11), but have not had chance to read it yet.
Cormac McCarthy’s The Road (number 17) utterly mystifies me. It is flimsy and trite and I really cannot see what anyone sees in it. But people damn well keep on seeing something in it.
Three others are in the to-read pile or, rather, one of the to-read piles, ‘cos this place is becoming unmanageable again. There is a looming happy convergence of personal interest and work which will hopefully get me to Edward P Jones’s The Known World (number 2) and Chimamanda Ngozi Adichie’s Half of a Yellow Sun and Americanah (numbers 10 and 13) within the next year.
Jeffrey Eugenides’s Middlesex (number 12) has been flickering in and out of a similar indeterminate space for a few years now, but every time I decide this time I really do need to read it I realise I don’t actually have a copy.
Roberto Bolaño’s 2666 (number 19) would be in a to-read pile but I am determined to read one of these shorter books of his I have lying around before committing to such a sizeable tome. I mean, over there in the corner, there’s a small mountain range comprised of the evergrowing proportion of William Vollmann that remains unread. Surely I should do something about that first?
I confess to finding the whole idea of Jonathan Franzen (The Corrections, number 5) baffling. At least he only provokes indifference.
But Ian McEwan? (Atonement at number 9). Genuine ire.
I have not managed to get past the first chapter of anything McEwan has written since, I dunno, Black Dogs or possibly Enduring Love, though I can recall nothing about either of them. (I remember quite liking The Cement Garden and The Comfort of Strangers, and the two early story collections, which is why I stuck with him as long as I did, but I was fifteen or sixteen when I read them, so I doubt it is worth going back.)
At least, I suppose, we are spared Martin Amis. I agreed wholeheartedly with Beulah Maud Devaney’s statement this week that ‘life is too short for Martin Amis’, though found myself repeatedly moving her words and their meanings around a little. Martin Amis is too short to live! Let’s shorten the life of Martin Amis!
Nothing on the rest of the list provoked a thing. Least of all interest.
I don’t know which are the greatest novels of the millennium so far. Not least because is it such an obviously and completely bullshit idea. But here is my list of the books published so far this millennium that I rate most highly. My criteria boil down to this: I could not wait to finish them so I could force my copies on other people to read. Which is unusual for me since, despite my enthusiasms, I am not by nature enthusiastic.
In date order:
Kim Stanley Robinson, The Years of Rice and Salt
Ahmadou Kourouma, Waiting for the Wild Beasts to Vote (this is cheating a little, since it was published in France in 1998)
Nalo Hopkinson, The Salt Roads
Neal Stephenson, The Baroque Cycle
Gwyneth Jones, Life – I also rate her Rock and Roll Reich series (2001-14) very highly; it is becoming increasingly prescient.
Geoff Ryman, Air: Or, Have Not Have
Shelley Jackson, Half Life
Anthony Joseph, The African Origins of UFOs
Thomas Pynchon, Against the Day
Ngũgĩ wa Thiong’o, Wizard of the Crow
Junot Díaz, The Brief Wondrous Life of Oscar Wao
Hari Kunzru, My Revolutions
China Mieville, The City & the City – or perhaps Iron Council (2004), actually, the whole Bas Lag trilogy (Perdido Street Station, The Scar)
Nnedi Okorofor, Who Fears Death
Karen Tei Yamashita, I Hotel
Andrea Hairston, Redwood and Wildfire
John Sayles, A Moment in the Sun
Zadie Smith, NW