Author: markbould

Polish semiotics 3: sex

Check in.p19

And then head on out.

Kraków has everything you might need or desire.

From wild nights and hot fun to

gay porn cinemas and labyrinths of lust.

Wait, you just want coffee?

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How hot do you want that coffee?

You’re in search of romance?

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Don’t worry – they have wine.

You want passion? They’ve got that covered.

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You want blandly unadventurous straight sex in exotic places? They’ve got that covered, too.

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You want something a little riskier?

Come right in.

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If you dare.

You want French girl hair?

I have no idea what that even is.

But you can get it.

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Whatever you want, whatever your taste – stay safe out there.

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The final scene of the young Han Solo solo movie

 

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INT: MILLENNIUM FALCON COCKPIT

HAN looks at counter on Millennium Falcon console. It reads 12.

HAN
Probably rounded it up. I’m gonna say less than twelve.

He slides out of his chair and struts out of the cockpit, a shit-eating grin on his face. The cocky motherfucker.

CHEWBACCA shakes his head. He leans forward and hits a button on the counter. The readout switches to one that reads to three decimal places. It now shows 12.499.

CHEWBACCA (in Shyriiwook, despairingly)
Rounding up includes rounding down.

He resets the counter, once more protecting  HAN’s fragile little ego.

CHEWBACCA (in Shyriiwook, pedantically)
And it’s not fucking parsecs.

He rises to leave the cockpit.

CHEWBACCA (in Shyriiwook, definitively)
Asshole.

END CREDITS ROLE.

*****

No Bothans were harmed in the making of this film.

 

 

Polish semiotics 2: food and drink

There are many kinds of establishment in which to eat and drink in Poland. In some of them the food is very ordinary, just okay, but at least they are honest in their advertising.

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Some places are real dives, but you know what you are going to get.

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Others send out surprisingly mixed messages.

 

Kraków is of course famous for its fusion cuisine

and for its cutting-edge experimental fare.

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This is in part a legacy of the communist era. A common tactic of quotidian anti-Stalinist resistance was to embrace empty formalism over socialist realism, claiming an ultra-modernist approach to all aspects of social and cultural life.

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Another tradition left over from that era is the underground drinking establishment, typically little more than a cellar or pit stocked with potato vodka, raisin jack and moonshine. What once was hidden can now proudly be declared, including such establishments’  frequent ties to organised crime – and related health problems.

There are other kinds of drinking establishment, though.

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Oh, but aren’t they all!

 

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Oh, but if only they all were!

 

When it comes to groceries, many local stores are bigger than they look from the outside.

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But there are also some depressing trends. For example, in Nova Huta, once a Stalinist workers’ paradise, and later a centre of anti-Stalinist resistance, there stood an amazing cinema.

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Now, you guessed it, it’s a fucking Tesco local.

Polish semiotics 1: the unironic corner of irony, and other juxtapositions

Found in Nowa Huta, the easternmost district of Kraków. Built in the 1950s as a Stalinist utopia to house the workers at the new steel mill, it also became one of the centres of resistance to the communist regime. Which might explain the otherwise inexplicable:

 

Other conjunctions make more sense.

 

 

But to be honest, I can make no sense of this at all.

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I think it means find love at the-queuing-for-inadequate-bathroom-facilities-hotspot.

The typical Polish home

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One of the legacies of the Communist era is that every Polish home is guarded by a robot –  with lethal capabilities and firefighting equipment. Although many Poles feared they were installed as surveillance devices, this was pretty much beyond the technical capacities of the time.

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The most such experimental models could do was phone the Esbecja on themselves, and not very surreptitiously at that.

While the guardian robots are now often regarded with nostalgia, there are other holdovers from the Communist era which are not cherished, such as the still rigorously enforced ban on ice cream

and, if your home is considered too large for the number of residents, the ban on using the upper floors.

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Another feature of homes build under Communism is the circular inner chamber in which to isolate punk rockers and other troublemakers.

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Culturally, the Polish people are divided pretty evenly between fans of L. Frank Baum and fans of CS Lewis, and they often decorate their entranceways so as to affirm their allegiance to one or the other.

The Polish are a relaxed people and their homes are always full of flowers.

The Polish people honour the memory of the ancient hero, Jan Skrzetuski, famous for leading an army of elephants across the Carpathians to defend his homeland. There is a  shrine to him in every home. Typically, this takes the form of his three favourite pachyderms, reproduced in varieties of modernist glassware.

The current right-wing Polish government has adopted a number of controversial measures to maintain its support in working class communities. These include encouraging a population increase and pushing women back into more traditional roles by paying parents a substantial sum for every child that is born. Thus it is not uncommon nowadays to find in bathroom cabinets supplies of powdered semen.

Especially valued – and commanding huge prices on the black market – is the desiccated spermatazoa of renowned philanderers.

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There is a far more sinister side to this recent upheaval in Polish life, though.

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The trade in pulverised infants. Just add water.

 

Birdman or (The Unexpected Virtue of Ignorance) (Iñárritu 2014) ⭐✩✩✩✩✩✩✩✩✩✩

birdman-click1 star out of 10 for this awful film.

I only went to see it because Jason Wyngarde told me it was the best ever superhero movie ever. Apparently it deconstructs the entire genre – I’m not sure what that means, but I think it means what Zack Snyder does.

And he said it proves that there can be art in a world of commerce. (Jason Wyngarde is full of shit.)

I am not surprised the whole franchise was cancelled way back, and I’m amazed the studio let them use the character in this cheap rickety mess. They should sue. It is the worst franchise reboot ever. Worse even than Fantastic Four.

And there was only one action sequence. It was like watching Universal Soldier: The Return all over again.

I’m not sure what the subtitle even means, or why the brackets are where they are. And I’m surprised that they hired the guy who named Quantum of Solace, but at least he is having to work his way back up from the subtitle department.  (Jason Wyngarde probably thinks it is ever so clever, but he is a jackass.)

And, Mr Fancy Pants Oscar-Winning Director, have you never heard of editing?

Stalker (Tarkovsky 1979) ⭐✩✩✩✩✩✩✩✩✩✩

1 out of 10 for this awful film.dog-stalker-620x350

I only went to see it because Jason Wyngarde told it me it contained all the things I like in films: trains, dogs and monkeys. He told me that by putting all three together in one film, Tarkovsky transcended genre.

Jason Wyngarde is a fool.

The film earns its one star out of ten for the dog. He is pretty cool. He shows up about halfway through in what you think is a dream sequence but then sticks around when everyone wakes up and pops up again from time to time.  He is affectionate and energetic, without being too bouncy, and he is still young enough that his paws sometimes seem too big for him. He is well-trained, unlike the rest of the cast, and gives the best performance in the whole film.

Tarkovsky clearly does not know what he thinks about trains. He sends mixed messages about them.

For a long time it feels like you are only going to hear them off screen, and then when you do eventually see them they are disappearing into the fog. But then the Stalker and his clients find a motor-driven buggy that travels along the railway line. The sequence is so exhilarating, capturing the real experience of riding the rails, that the film turns into colour to express how magical it all is. But then they ditch the buggy and for some reason, the inattentive Tarkovsky forgets to turn the colour back off.

And the rest of the film seems to blame trains for everything, from the polluted landscape to the glass the naughty girl carelessly breaks at the end.

From what I could make out from the people leaving the cinema behind me, a lot of people think that the dog, who is yelping offscreen, is moving it with his telekinetic powers. (Jason Wyngarde probably thinks that, too.)

Oh, and the monkey is not even a monkey.

1/10

Serendipity – Kraków style

poc2Bearing in mind quite how many miles we have wandered on foot through Kraków – some tourist locations but more often in between and beyond them, and only occasionally guided through our semi-random, off-the-map perambulations by Kung Fu Elvis – it was a thing of beauty to end up our final full day at the oldest Jewish restaurant in the city for dinner and to find that pretty much the only BDS option on the wine list was a bottle of this:

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